More book reviews - decisions and secrets
Blink - Malcom Gladwell
S is for Silence - Sue GraftonThe premise of
Blink is that human beings are good at making instantaneous and generally quite accurate decisions based on very little information. In some cases, apparently, when we have more information, the accuracy of our decisions does not increase along with the rise in information available. Gladwell introduces a number of examples - marriage guidance counsellors who can tell from tiny snippets of film whether a couple's marriage will survive, tasters who can instantly tell whether re-used ingredients have been used, doctors who use a simple algorithm to determine whether a patient presenting symptoms of heart attack is at real risk - and writes very entertainingly.
However, he has a tendency to repetition, as though the book was based on a series of lectures, and some inclusions, while interesting, don't exactly agree with the conclusions he draws. The highly accurate "snap decision", however, seems to be only possible if the person presented with the data and is making the decision is an expert; but Gladwell maintains that even untrained people could make a good guess based on tiny snippets of information.
It's an interesting book (similar in style to the misnamed
Freakonomics, which is more about statistics than economics), and would be good for discussions after reading it, but Gladwell doesn't seem to make any real point in his book.
The second book is completely different, being the latest in Sue Grafton's "Alphabet" crime series (
A is for Alibi, B is for Burglar, etc.). It's something of a departure for her, for although her heroine private eye, Kinsey Millhone, has investigated "cold" cases before (such as the excellent
Q is for Quarry), the books have always been written in the first person and from Kinsey's own point of view.
S is for Silence includes sections written from others' point of view, and in a past time which Kinsey could not possibly have known about. It's a device that works well in this book, fleshing out some of the incidents that give life to the characters seen only in their youth or from others' recollections.
Kinsey is one of the best-written private investigators around. She doesn't usually muscle in on police cases, and her jobs are realistic. She's an independent woman, ageing naturally through the series (she's thirty-seven in this book, set mostly in 1987), sometimes prickly, sometimes critical, but always humane and likeable.
I'd recommend almost any of Sue Grafton's books (though I haven't read the first few) - they are interesting, well-written, and not repetitious. It's not necessary to have read the others to enjoy the latest (though, like any series character, it's better if you've made the journey from A already), and it's refreshing to read a series which is not sadistic serial-killer fare (Reichs, Cornwell) and whose central character is a tough, practical and realistic woman.
Labels: books, private eyes, reviews, sue grafton
A feminist fairy tale?
I was sent this post as an email recently:
This is the fairy tale that we should have been reading as little girls!Once upon a time, in a land far away, a beautiful, independent, self-assured princess happened upon a frog as she sat, contemplating ecological issues on the shores of an unpolluted pond in a verdant meadow near her castle.A frog hopped into the princess' lap and said: "Elegant Lady, I was once a handsome prince, until an evil witch cast a spell upon me. One kiss from you, however, and I will turn back into the dapper, young Prince that I am and then, my sweet, we can marry and set up housekeeping in your castle with my mother, where you can satisfy my needs, prepare and serve my meals, clean my clothes, bear my children, and forever feel grateful and happy doing so."That night, as the princess dined sumptuously on lightly sautéed frog's legs seasoned in a white wine, onion and cream sauce, she chuckled and thought to herself:I DON'T F***ING THINK SO!!!!!It makes you laugh, for it subverts the traditional expections of the "fairy tale" quite nicely. There are some points, however, where it falls down.
Firstly, this is still a fairy tale reality where princes can be turned into frogs. Despite what David Blaine proclaims, in this real world, magic is all sleight of hand and misdirection. And princesses are not always beautiful, no matter what small girls think, wearing pretty dresses and lightweight crowns. Think Princess Anne, here, and you're getting my point (though that's not to say that Princess Anne is not an admirable person in many ways).
Secondly, no princess would have to prepare the prince's meals and clean his clothes: that's what servants are for, even now. And no fairy tale ever claimed that the princess would ever have to do that for him. The other bits, however... well, those were always skated over by saying that the couple fell in love.
Thirdly, and this is the point that started me thinking, if the prince has been changed into a frog by magic, isn't the princess in the end actually eating the prince? Which is pretty gross, if you think of it like that. Cannibalism is not necessary, even to make a point.

So, if you want a fairy tale re-told, you can't do better than read the stories and novels of Robin McKinley. McKinley is one of my favourite writers: she has written original fantasy ("The Blue Sword" and "The Hero and the Crown"), and one of the most fantastic vampire novels ever published, "Sunshine", as well as her fairy tale retellings. These include
The Princess and the Frog (in which the princess and the frog save each other) and
The Twelve Dancing Princesses as short stories;
Beauty and the Beast, twice (as "Beauty" and "Rose Daughter");
Sleeping Beauty (as "Spindle's End"); and, most movingly and horrifyingly, in a re-telling of the usually-bowdlerised
Donkeyskin, "Deerskin". Not all are in print in the UK, except her most recent books, but most seem to be available from Amazon.
Labels: books, fairy tales, reviews, robin mckinley